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Nieuwenkamp: The First European Artist in Bali; Batak Sculpture; Nias Sculpture; Gold Jewellery of the Indonesian Archipelago; and Lempad of Bali. About the AuthorA student of art history and fluent in four languages, Carpenter has been a resident of Bali since the early 1970's when he arrived from Europe as an aspiring young artis

• Title : Indonesian Tribal Art
• Author : Bruce W. Carpenter
• Rating : 4.87 (715 Vote)
• Publish : 2014-3-11
• Format : Hardcover
• Pages : 332 Pages
• Asin : 9814610100
• Language : English

Nieuwenkamp: The First European Artist in Bali; Batak Sculpture; Nias Sculpture; Gold Jewellery of the Indonesian Archipelago; and Lempad of Bali. About the AuthorA student of art history and fluent in four languages, Carpenter has been a resident of Bali since the early 1970's when he arrived from Europe as an aspiring young artist. He is currently working on two book projects on Indonesian tribal art.. He has collaborated with numerous noted scholars over the years. In 1996 he founded and curated the non-profit Ganesha Gallery at the Four Seasons Resort in Jimbaran. Dedicated to young Indonesian and Balinese artists it would mount more than 200 exhibitions in close to 20 years. Inspired by Indonesian and Balinese art, he has authored and co-authored more than twenty books and scores of articles on the archipelago's art, history and culture including W.O.J

Every art piece illustrated in the book is accompanied by descriptive captions and measurements.. Caprenter, author and co-author of more than twenty titles on Indonesian art, history and culture, provides the main text. The book also features ground breaking texts including an introduction by Andrew Gurevich and Robert Walker, the president and chairperson of the Joseph Campbell Foundation, concerning the continuing relevance of the work of that seminal philosopher and best selling author in the field of tribal studies. The artwork, which was collected by Rodger Dashow of Boston over a period of 30 years, not only includes many unpublished pieces but also types that have been rarely seen. Written for the interested layman the book provides a clear overview of the subject and also discusses the significance of the recent scientific discovery that Indonesia is home to some of the oldest art on earth. Illustrated by more than 400 beatifully photographed materpieces from one of the world's largest private collections and published in a large and sumptuous folio, Indonesian Tribal Sculpture promises to be one of the most important books ever published on the subject. Bruce W

He is currently working on two book projects on Indonesian tribal art.

. In 1996 he founded and curated the non-profit Ganesha Gallery at the Four Seasons Resort in Jimbaran. A student of art history and fluent in four languages, Carpenter has been a resident of Bali since the early 1970's when he arrived from Europe as an aspiring young artist. Dedicated to young Indonesian and Balinese artists it would mount more than 200 exhibitions in close to 20 years. Nieuwenkamp: The First European Artist in Bali; Batak Sculpt

Drawing upon the work of Joseph Campbell, Rollo May, Carl Jung (and others), Gurevich and Walter have linked the mythological and its expression, the unconscious and craftmanship, the shamanic and the artistic. For this quality production and book size, the price is astoundingly low.. A must-have for serious collectors of Indonesian and Malaysian Borneo art. Full of great photos with concise explanations. He has honored this splendid collection by carrying out meticulous research, accurate descriptions, and sensitive design A special note must be given to the book's introduction by Andrew Gurevich and Robert Walter who have provided a solid mythological foundation so that readers (and viewers) will better understand and enjoy this collection. They also provide insight into the value of collections of this nature because they "allow us to more clearly see the emergent archetypes of collective experience." This tribute to Rodger Dashow, the collector of this artwork, is underlined by Steven G. This magnum opus by Bruce Carpenter is truly a labor of love. Alpert's preface, which describes the assiduous way in which Dashow ferreted out the "genuine from the bogus." The result of this devotion, by both Dashow and Carpenter, makes this book a resource and a treasure for all who peruse it, savor it, and -- inde